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The media image of the Carnation Revolution in the Czechoslovak period press
Lukášová, Kateřina ; Končelík, Jakub (advisor) ; Cebe, Jan (referee)
This bachelor thesis is focused on an analysis of the Portuguese Carnation Revolution that took place on April 15, 1974 and its media image in the Czechoslovak press of that time. The Carnation Revolution was a non-violent military coup that overthrew the long-term dictatorial Estado Novo regime and started the process of democratization. This process faced many challenges, it took two years to form a democratically elected parliament that approved the constitution of the newly formed Portuguese Republic. The aim of this bachelor thesis is to compare the interpretation of the Carnation Revolution and its key moments, that threatened the democratization process, in the Czechoslovak newspaper Rudé právo with historical sources to determine whether the official party press of the Communist Party of Czechoslovakia deviated from them in order to glorify the Portuguese Communist Party and their actions in the Provisional Government. At the same time, this thesis compares the interpretation of the Portuguese regime transformation in exile press Svědectví and Listy. The analysed events are: the Carnation Revolution (April, 25 1974), the September attempt of a political coup (September, 30 1974), the March attempt of a political coup (March 12, 1975) during the democratization process and the formation of...
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Facing the loss: Loss figures in the postwar central european literature
Petránková, Michaela ; Činátlová, Blanka (advisor) ; Bílek, Petr (referee)
My paper will focus upon the theme of loss in postwar Central European literature in works of Nabokov, Bachmann, Bernhard, Handke, Esterhazy, and Chwin, which are narrated as a modern subject's testimony of loss. My goal is to make a collection of loss figures (inspired by Roland Barthes's Fragments of a Lover's Discourse) to examine the nature of testimony in relation to the acts of writing. Any analytical inquiry that focuses itself on the literary testimony as a work of art will have to deal with these textual mechanisms: transparency, suppression, deleting, distancing, turning over, heaviness and reduction.
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Ruben Gallego in his autobiographical prose White on Black
Klánová, Kateřina ; Hlaváček, Antonín (advisor) ; Hříbková, Radka (referee)
The life of Russian writer David Ruben Gonzales Gallego. The Man Booker Prize in 2003. Analysis of autobiographical prose White on Black, character of Ruben Gallego in the novel. Analysis of work in terms of genre, language resources, composition, style, theme and meaning. Examining the influence of current modern language to the author's style. Adoption of the work and the reason the writer's popularity. Testimonials and personal evaluation.
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Doctors Without Borders as an International Relations Actor: The Cases of Somalia, Rwanda, Bosnia and Herzegovina Missions
Němcová, Karolína ; Tomalová, Eliška (advisor) ; Weiss, Tomáš (referee)
The aim of this Master thesis is to identify the specifics of non-governmental organization Doctors Without Borders (Médecins Sans Frontières) as an actor of international relations, mainly through the presentation and activities of the organization during the implementation of its programs in the early 1990s, when the process of internationalization was consolidated. The thesis also covers the issue of respecting the commitment to shared values for which Doctors Without Borders claim responsibility, and which also represents the principles of their activities. Based on the theoretical framework of actorness, it is possible to compare three missions of Doctors Without Borders implemented during the internal state conflicts in Somalia, Rwanda and Bosnia and Herzegovina. The analysis shows that during this period, Doctors Without Borders is characterized by a strong national identity of particular sections, in that we can see the strong national features of the French, Belgian and Dutch sections, which often behaved contradictorily and incoherently. The commitment to respect the shared values is fulfilled with one exception, namely the obligation to respect the neutral status.
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Comparsion of the concept of exile prind magazines on example of Svědectví and Listy magazines
Beneš, Miroslav ; Cebe, Jan (advisor) ; Končelík, Jakub (referee)
This thesis starts with the introduction of the general historic moments of postwar Czechoslovakia. Attention is paid to the February 1948, Prague Spring and the events of August 1968. These dates established two waves of emigration from Czechoslovakia. In this context, there are presented personalities of Jiri Pelikan and Pavel Tigrid as leading personalities of exile. The analytical part focuses on the comparison of Tigrid's Svedectvi and Listy published by Jiri Pelikan. Analysis is based on important events in postwar history. The thesis is mainly focused on the different perceptions of the Prague Spring and the Velvet Revolution in 1989.
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Formation of witness testimonies collected at CVH Malach
Strouhal, Matěj ; Grygar, Jakub (advisor) ; Kabele, Jiří (referee)
Ve své práci ukazuji na svědeckých záznamech přístupných v Malach jakými způsoby je utvářeno svědectví. To ve své práci vnímám jako specifický žánr, který je ovlivňován zároveň diskursem a pravidly vyprávění. Ve své práci se pokouším ukázat způsoby, tomu dochází, a tím přispět k lepšímu pochopení svědectví jako takového. Důvodem této snahy je pak mimo jiné i vzrůstající míra využívání svědectví k vzdělávacím účelům, ve kterých se původně doplňkové funkce ve vzta historiografii dostává svědectví stále více prostoru i jako vlastnímu zdroji informací. Skrze výpovědi pamětníků je svědectví schopné přenášet nejen prosté informace, ale díky své autenticitě také emoce a morální apel. Ve své práci na materiálech USC Shoah Foundation Institute ukazuji způsoby, kterými dochází jak k omezování vyprávění diskursem, tak příklady, ve kterých nachází vyprávění v diskursu oporu, či taková, ve kterých se projevuje moc vyprávění nad diskursem. K tomuto závěru docházím na základě analyzování oficiálních dokumentů nadace USC Shoah Foundation Institute. Mezi ně patří podklady pro tazatele a pamětníky, které mají zmiňovaní k dispozici dříve, než je videozáznam pořizován. Dále pak návody pro katalogizování a indexování získaných svědeckých záznamů a příručka pro uživatele archivu. Ve druhé části analýzy se pak soustředím na obsah...
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The role of women in the world of Margaret Atwood's The Handmaid's Tale & The Testaments
Beránková, Anna ; Topolovská, Tereza (advisor) ; Chalupský, Petr (referee)
This thesis is concerned with the world of The Handmaid's Tale (1985) and The Testaments (2019), works of Margaret Atwood. The dystopian theocratic totalitarian regime featured in these novels invites a socio-historical and anthropological analysis and interpretation from the perspective of the subjugated female characters. The theoretical part, introduced by an overview of Atwood's work, provides the reader with crucial information regarding the historical parallels which inspired the narrative, as well as a delimitation of relevant anthropological concepts, such as liminality or status reversal. Subsequently, using both the knowledge gathered in the theoretical and in Atwood's works, the rise of the fundamentalist cult of the Sons of Jacob and their project, the Republic of Gilead, is explained, and their ideology is uncovered in the first section of the practical part. Second part of the interpretation focuses on the position of women within the system that subjugates and oppresses them. The analysis is performed by the means of comparing and contrasting the ideal models of the positions of women as designed by the architects of the system with the actual application on the example of selected characters. The ultimate aims of this thesis are to prove the innate sexism and misogyny of the...
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Bataille's L'expérience intérieure as an Event of Extremity of Human Existence
Šimek, Adam ; Fulka, Josef (advisor) ; Bierhanzl, Jan (referee)
The presented study takes up the problem of Bataille's impossible testimony of the impossible. This endeavor represents a wider contextual framework for a project of this thesis which proposes a way of laying down the foundation for a philosophical reading of Bataille's L'expérience intérieure by developing some key moments of his anthropology. Bataille's thought is introduced as the dynamics of a gesture of testimony (or a witnessing) which testifies to the difference du sens as it is being incorporated in the movement of writing (écriture) into the texts of La Somme Athéologique. Since these texts oftentimes resist a direct philosophical treatment, this essay discusses the possibilities of a philosophical approach to Bataille. Such discussion results in setting up the necessary limitations of an adequate philosophical attitude towards Bataille's thought while leaving its problematic quality in play. Then the narrower framework of this essay is put into work in an attempt to achieve an understanding of key parts of The Inner Experience through a philosophical analysis of Bataille's concept of humanity.
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Construction and Testimony: Dual Approach to Photography in Work of Didi-Huberman
Frídová, Martina ; Charvát, Martin (advisor) ; Váša, Ondřej (referee)
5 Abstract This thesis deals with topic concerning photography and its relation to reality in work of French philosopher and art historian Georges Didi-Huberman. The thesis is divided into two main chapters. The first main part includes introduction to Didi- Huberman's approach and familiarization with his terms as well as theoretical analysis of photography through his work. This part also includes comparison with approach of the other authors, for example with Roland Barthes. The goal of this thesis is to identify possible ways thinking about photography, from the perspective of photography as a construct and photography as a testimony. The goal of the second main part is to use Didi-Huberman's approach and apply it on several selected photographies within contemporary context. Key Words Didi-Huberman, photograph, construction, testimony, surviving images
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